I'm a New York City born Costume Designer now based in London, with almost a decade of experience working across workrooms, rental shops, and on-set productions for Stage and Screen.
I began working professionally in costume at the age of 14, tailoring for Broadway productions at Parsons-Meares, including Hamilton, Phantom of the Opera, and The Lion King. Since then, I’ve built over 9 years of experience across theatre, film, television, and museum-standard costume environments. I’ve constructed for significant productions at Costume Workshop LTD, such as House of the Dragon, Bridgerton, Wednesday, and Slow Horses, and specialized in military uniform preparation at Angels Costumes for titles including Outlander, Young Sherlock, House of Guinness, The Immortal Man, and Bridgerton. Most recently, I worked as a Costume Trainee on Apple TV’s Slow Horses, supporting the team with returns, purchasing, fittings, alterations, crowd standby work, and on-set continuity.
My recent personal work has focused on blending traditional craftsmanship, hitorical accuracy, with fantasy-driven design, including chainmail production and armor-making. I also have conducted original research at the Deutsche Historische Museum in Berlin, patterning 18th-century Prussian Army uniforms and handling artifacts such as Napoleon’s hat from the Battle of Waterloo. This hands-on study of historical tailoring and conservation led to my selection as the 1st place winner of the 2025 Patterns for Performance Award awarded by the Costume Society.
Photography by Cameron Shin